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My mom, Helen Koutalianos, suddenly passed on December 31, 2023.
It was her wish to write three books. One on her mother. A second on her father and the mystery surrounding his life and first (secret to us) family. And a third on her life. In her honour, I will write these books. A trilogy series I’m calling The mirrors of me. In them I will capture the life and times of my maternal grandmother Evangeline Balakas (née Hatzikanelou (Canellos)), my mother Helen Koutalianos (née Balakas) and me. And explore the intergenerational trauma across our female lineage and what needs healing.
I will follow the journey of Evangeline from her birth in 1915 and fleeing from Turkish-occupied Izmir, immigration from Crete to Canada, and raising three kids alone to her passing in Toronto in 2000. I will visit Thunder Bay, Toronto, Athens, Edmonton and Vancouver—the life path of my first generation Canadian mother. I will explore northern Greece and Melbourne, Australia, and make sense of the mystery around my maternal grandfather, his missing 20 years outside of Greece and his secret first family. And account for my own history—a Greek-Canadian woman who never felt a sense of home inside or out—and how these women and their lives lived/unlived have touched me.
Often history is narrated by the bold and men. And so often, the stories of the less-loud and women remain whispers. Unheard. Untold. Not captured. And in time, forgotten. Racism, colonialism, war, genocide, immigration, physical/verbal abuse, adultery, miscarriage, poverty, indecency—these are the tales untold that reverberate across my family lines, that have influenced my female lineage and bleed into the fabric of my life. Patterns of doubt, loneliness, insecurity, abandonment of self; never uttered but passed along from one generation to the next.
As such, this series isn’t merely a factual recounting of what happened. It’s a narrative/exploration of what didn’t; the space and silence between memory. How can we know anyone when truths are swallowed and emotions repressed? What legacy do these quiet moments bear, if any, in the telling and retelling of our collective tales? And can oral storytelling allow us to heal what our ancestors weren’t able to or couldn’t feel in their lives and times?
Through this lens, these books are records of historical importance that speak to our country’s beginning. The Canadian immigrant experience. Cultural and existential accounts from the eyes of a refugee, a newcomer, a widow. The lives of women. The emotional time capsule of those who survived hardships of famine and loss; who had to leave home and settle on new lands; who raised children in silence and passed along their gifts and sorrows to their children, who passed them along to theirs. These are the tales of our migrated patterns. Then and now, they are the roots to my ancestral trauma—shared across borders, cultures and family lines—that I will see, name and let go.
There is a deep urgency to do this work now. My family is spread across three continents and the knowledge keepers are aging. My mom’s sister Anastasia in Toronto is in her early 70s; she knows who’s who, and is the bridge and connector to my grandmother, my mom’s childhood and our family beginnings in Greece (Crete/Florina), Turkey (Izmir) and later Canada. My family in Melbourne—cousins in their early 90s—are my link to my maternal grandfather, his abandoned family and his upbringing in Florina, Greece. While my 80-year-old father is the memory bank when it comes to my mother—how they met, their time in Toronto, Edmonton and Vancouver, and their travels to Turkey and Australia to connect with our ancestral land and half family.
This project is more than a personal exploration. It’s a universal tale of culture and immigration, the legacy of intergenerational trauma and a depiction of women on the move—whether they’re fleeing war, financial hardship or seeking a home within. It’s the story of those who came before us, who sought refuge and safety in Canada, and whose kids carry a hyphenated, fractured and in-between identity.
On March 14, 2024, I applied for a $25,000 Canada Council for the Arts research and creation grant. This money will help me cover the expense of travelling to Turkey, Greece, Australia and across Canada over a year period (2024-2025), so I can visit my relatives, family landmarks and conduct archival research. It will also allow me to read up on the history around the Turkish-Greek occupation and US/Australian/Canadian/Greek immigration—topics that touched the lives of my grandmother and mother.
By July 2025, I will complete a detailed chapter summary for my three-book series which I will later use to secure a writing residency/publishing contract.
Updated: The grant amount doesn’t cover the total project costs which I’ve estimated at $44,199 for the year. I contributed $5000 of in-kind services towards the project and am looking to fundraise an additional $10,549 by July 2025. While I submitted $15,000 as a flat rate for my compensation, this does not reflect the actual cost to do this work. Historical/archival research at 30 hours/week over a year’s time is valued at $72,000 (based on $50/hour rate); with writing services charged in the $100-150/hour range. The funds I’m seeking are more of an honorarium than a reflection of an industry standard; also additional funding sources like fundraising efforts are well viewed by the Council as it doesn’t want to be the sole funder on a project.
And so I’m reaching out to my community for support. A high five, words of encouragement or any financial contribution is welcome and appreciated. The first 10 donors who contribute $200+ will receive a copy of the cookbook mom and I wrote in 2010. I have six copies left. (Send me your address and I’ll mail your copy in the fall.)
June 27, 2024 — I GOT THE GRANT!!! This project is officially supported by the Canada Council for the Arts. I’m over the moon.
June 22, 2024 — Canada Council for the Arts is advising applicants on the status of their applications next week, by June 28. Wish me luck!
March 22, 2024 — I’ve sent off my grant application and continue to apply for other grants. A big thanks to Kasper, Elise, Toni, Rena and Mikkel for their extra eyes and ears in refining my submission. Merci!
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Fundraiser extended to July 1, 2025!
I thank you in advance for your support in spirit or otherwise. If you have any questions or want to know more about the book/project, let me know. The fundraiser deadline has been extended! Donations can be sent via: e-transfer to info@nadatodo.com, credit card (I’ll have to manually enter the card number using my Square app) or cheque mailed to:
Anastasia Koutalianos
6-810 Commercial Diversion North
Vancouver, BC V5L 3Y5
International donors can email me directly at info@nadatodo.com should you need other transfer options. Thanks!
Much love,
Stasia
Note: All donors will be named/acknowledged in the published books regardless of donation amount. Should I not get the grant, these contributions will still go toward the project and I’ll apply for other funding to make up the difference. Anything beyond my fundraising goal will go towards my artistic fee and phase two of this project—writing a pitch for publishers and sample chapters/draft for the first book. (Note: I can apply for this same grant two years in a row, and will do so in 2025 to complete phase two; I’m also applying for a writing residency in the same year.)
The $25,000 grant will cover expenses to travel and conduct historical research, stakeholder and family engagement/interviews, and to assist me in reading, researching and writing over a one-year period—with a new start date of July 2024:
April 2024
May 2024
June-July 2024
August 2024
September-October 2024
November 2024
December 2024
January-February 2025
March-April 2025